Wednesday, September 19, 2007
My Title Sequense of The Cabinet of Dr Caligari
Tuesday, September 18, 2007
A funny animated font movie found on Youtube
Interface Typographic Assignment
It is said that the font is one example of the today generation of fonts that are mix of Old Face, Transitional and Modern typeface forms.
If you address to my previous post about Font Classification, you can see that Olympian has most characteristics of 3 font type said above. However, it tends to be the Old-Face style and is a fovored typeface for today newspapers.
Following are the character map image of the font and also my final flash movie for the Interface Typographic Assignment that to advertise for this font. ^^
Sunday, September 9, 2007
Type Family Classification
A font is itself an artwork and it takes a font designer a lot of time to build, design and make it own style and identity. Each font family reflects "a certain time of period or cultural phenomenon" to viewers. A proper use of font can contribute greatly to your works and makes them more valuabe.
Although there are thounsands of fonts nowadays for you to choose, they are all classified based on "historical evolution of type and stylistic charactristics of the letterforms". This blog is to get you to have a look at these classifications cause they're really a basic and vital philosophy about type for designers.
First, let's get familiar with some terminologies:
- typeface: a set of letterforms that have been especially designed to go together.
- type family: a category that type is classified into, based on the historical origin and physical characteristics of the letterforms.
- type style: a modified version of a typeface.
- font: a collection of all the characters of a specific typeface that are necessary for typesetting.
Now, let's see the classification in details:
- Blackletter Typeface
- Humanist Typeface
- Old Style TypeFace
- Transitional Typeface
- Modern Typeface These typeface looks more precise and mechanical than the previous one. It refects "the advancing technical capabilities of societies undergoing industrialization".
- Sans-serif Typeface San-serif typefaces were used popularly in the early 20th century and known as favored ones for web or any ones that display on the monitors of the computer.
This is the very old typeface style used popularly in XV century. At this time, letters are written on parchments. These letters are drew very narrowly with narrow counters. This gives the page a overall dark appearance. For this reason, it was called blackletter.
This typeface is based on handwriting styles of Gothic (German) and Celtic (Irish) medieval scribes. The letters are highly decorative. The vertical letter stems cause a strong vertical presence.
Some examples of this typeface are Cloister Black, Duc de Berry, Kelmscott, Goudy Text.
There was an significant envent in 1461 in German that made a change in the printing industry. Unlike the blackletter typeface, the humanist typeface is based on the Italian handwriting style. The typeface is most more easier to read. It's called humanist because of its organic style of letterforms.Some examples of this typeface used widely nowadays are Jenson Classico, Centaur, Cloiser, Deepdence, Stratford, Souvenir, True Golden.
This typeface were known widely in XVI century as a favored typeface for printed books. It looks less calligraphic and more precise than Humanist type but still have a organic feel of Humanist typeface.
Some examples of this typeface used widely nowadays are Calson Classico, Bembo, Caxton, Grody Old Style, Original Garamond, Palatino, Times New Roman.
Transitional typeface was born 200 years later after the Old Style typefaces. This was because of technological advancements in printing at this time. It s more precise than the Old Face.
Some examples of this typeface used widely nowadays are John Baskerville, Cheltenham, Cochin, Corona, Electra, Mrs. Eaves, Versailles.
Some examples of this typeface used widely nowadays are Bodoni EF, Bernhard Modern, Craw Modern, De Vinne, Linotype Didot, Modern No 216, Walbaum.
Some examples of this typeface used widely nowadays are Univers, Helvetica, Futura, Kabel, Eurostile, Gill Sans, Frutiger, Optima.
References
Tova Rabinowitz,exploring TYPOGRPHY, Thomson Demar Learning, 2006, printed in USASunday, September 2, 2007
An Indian ad ^^
http://www.youtube.com/watch?v=V7g4e5m5aRc
The designer dilemma
The problem given by this topic is that as a designer, you must satisfy your client; and doing this may result in "not-your-design" at all.
What do you think about this?
This topic was given by David Byrne, you can access to his site by clicking the link below to see the whole article and leave your feedback about the problem.
http://www.davidbyrne.net.au/
Sunday, August 26, 2007
Some nice safe-sex posters found on web
We now can see that unsafe sex now becomes a really serious issue in the world. There are millions of people in the world now are suffering the result of thier unsafe sex. Most of stituations can be traced into their lack of knowledge about how to have sex safely... To solve such an issue, we must let them know about how to have safe sex by using condoms, for instance.
The above posters are effective visual methods to tell them about safe sex. The audience is not only for nomal people but also for other ones (the third one is one example).
The link below can show you some more cute posters.
http://profiles.nlm.nih.gov/VC/Views/Exhibit/visuals/hiv.html
Friday, August 24, 2007
My Safe-Sex Poster
The work was done in Illustrator which is a great tool for creating vector-based images.
The main artwork was first sketched out on a paper, then be scanned and imported to Illustrator. After that, the pen and brush tool were used to manually trace the outline of the artwork. Finally, colors were filled for each objects in the main artwork.
I have applied the closure concept in gestalt to the main text to make the whole design look more interesting as well as to get attention from viewers when thier eyes continue observing the remaining of the poster after the main artwork at the center.